When
invited by curator Gail M. Brown to be part of her survey
of american figurative jewelry (Attitude & Action!
North American Figurative Jewelry) to open and travel in
the U.K., my first response (after accepting, of course!)
was to think, "Figurative? How can my work be figurative?"
I had only just settled into my new home in Sydney...however, my studio was somewhere
on the high seas making its lumbering journey down here from the US. So, without
tools, and without found materials in hand, I set about making my piece for the
exhibition.
I took walks in my neighborhood for a week, picking up bits and pieces....a dashboard
heater control...a broken windowpane...crushed cans...the ever-present gum nut...I
then visited a friend's family farm where I was invited to browse through the
old barn. Rust-covered and smiling, I emerged and set to work constructing my
first 'portrait' using found materials. She is wearing earrings of her own, and
holds a jewel aloft, clutched in her hand.
The piece was constructed using the bare minimum of tools..a hammer, pliers,
a
glass cutter, all bought from the local hardware store.
THE
PHILOSOPHY OF A GLANCE. 2000
Iron bridle part, forged iron wire, crushed tin cans, car dashboard control lever,
gum nuts, glass, steel engravings, map, beads, scissor handles, leather, paper,
text, soil.