Papering Over it: Collaging the Found Object

This exciting workshop will allow participants to leap off of the two-dimensional paper plane and attach to, encase and embellish the wide world of dimensional objects.

Working with American found-object jeweller Keith Lo Bue, students will learn the proper archival methods of adhering beautiful antique papers to metal, glass, wood and much more.



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REQUIRED TOOLS/MATERIALS:

The list below contains things you will be certainly using in the workshop, and to avoid having to wait for a communal tool to become available, you should plan on getting them for the class. Where possible, I have provided links to the items, if even just to get a visual on what you need.

PAPER! You can bring old books, new books, artist-made papers, any kind of paper that interests you! I will be showing some techniques specific to fibre-based papers, that is, either hand-made artist papers, or books that are from earlier than 1910 or so. So if you can, try to bring at least 1 old book that you have made up your mind can be taken apart.

roll of 'reo tie wire' (found for under $10 in hardware stores in the construction materials section, near the cinder block and chain-link fencing. IMPORTANT: make sure it is steel or iron wire, NOT galvanized!...it should be dark grey-black) If met with blank stares, tell them it's for tying reo-rod together. NOTE: You won't need to haul the whole roll, as it's quite heavy - bring 1/4 of it with you and you'll have plenty!

jewellery pliers: A simple round-nose plier and flat nose plus a standard utility plier (linesman, or combination plier) for manipulating the wire.

Fuller's ULTRA CLEAR: Available at most hardware stores. DON'T buy a substitute!! This is the only one that has the properties we need. <Here> Remember you'll need a caulking gun to remove the sealant from the tube. If you know someone else in the class, you can coordinate so only one of you has to bring it.

Atelier Medium & Varnish: You'll want to get at least the gloss and matte bottles. If you're not strapped for cash, get the satin as well. Gloss is <here>, matte is <here>.

Scribe <Here> Alternatively, any fine, pointed metal object will work.... Hatpin, anyone?

• Small bottle of PVA glue <here>

• Water-clear epoxy adhesive <here>

• an assortment of brushes

• paper towels

• tweezers

• plastic cups to mix paint/glue in

Assortment of found objects to play with: this may include wooden or metal boxes/tins, scraps of metal, glass, wood, plastic, etc. For a wide-open list of possible objects to bring, check out the list of 'raw materials' in my Precious Little supply list <here> Don't be intimidated by that list, please, it's simply a sampling of potential items. The upshot is: Bring materials that thrill you!


OPTIONAL:

• old white t-shirt remnant (this is OPTIONAL - you'll only need about a 5-inch square)

• OPTIONAL - A small amount of waxed linen thread: Don't buy a large spool for this class, only a small amount is needed. There are many colors and weights of linen thread, but choose a heavier weight (3-ply is great). <Here's> a small coil.


Please email me with any questions you might have that this page didn't address.

See you there! Keith